
Doraemon: Nobita and the Haunts of Evil is a 1982 Japanese animated science fiction adventure film directed by Hideo Nishimaki. It is the third feature-length Doraemon movie and was produced by Shin-Ei Animation, released in Japanese theaters on March 13, 1982. The film is a direct adaptation of the third volume of Fujiko F. Fujio's Doraemon Long Stories manga series, which was first published in CoroCoro Comic magazine.
The story follows Nobita, who is pressured by Gian and Suneo to find an unexplored part of the world for their spring break adventure. With Doraemon's gadgets, they set their sights on a mysterious jungle region in the heart of Africa. Along the way, Nobita encounters a strange, intelligent dog named Peko, who follows him home and eventually joins the expedition. The group soon discovers that Peko is no ordinary animal โ he is actually a prince from a hidden ancient kingdom of anthropomorphic dogs, and he needs their help to liberate his people from an evil usurper.
The film was well-received and became a staple of the Doraemon movie franchise. It was later remade in 2014 as Doraemon: Nobita in the New Haunts of Evil ~ Peko and the Five Explorers ~, which updated the animation style and expanded certain elements of the story while remaining faithful to the original manga's adventurous spirit. The 1982 version is remembered fondly for its sense of exploration, the emotional bond between Nobita and Peko, and its classic hand-drawn animation that captures the charm of early Doraemon films.
Doraemon's Long Tales, also known as Doraemon Long Stories, is a manga series that expands upon the beloved Doraemon universe created by Fujiko F. Fujio. Unlike the regular Doraemon comics, which consist of short, self-contained episodes, this series presents full-volume, continuous narratives that send Nobita, Doraemon, and their friends on epic adventures through science fiction and fantasy landscapes. The stories were originally serialized in CoroCoro Comic magazine, with the first volume, Nobita's Dinosaur, launching the series in 1980.
The series was initially illustrated by Fujiko F. Fujio himself, who completed the first sixteen volumes before his passing in 1996. Following his death, the mantle was taken up by Shintaro Mugiwara and Yasunori Okada, who continued the tradition of crafting longer, more complex tales for the characters. These manga volumes served as the direct source material for the annual Doraemon feature films released in Japanese cinemas from 1980 through 2004, creating a unique synergy between the printed page and the silver screen.
Doraemon Long Stories holds a special place in the hearts of fans, as it allowed for deeper character development and more intricate world-building than the standard series format permitted. The stories often blend educational elements about history and science with the whimsical, gadget-driven fantasy that defines Doraemon, making them enduringly popular with both children and adults.
The Doraemon film series is a long-running collection of animated feature films based on the beloved manga and anime franchise created by Fujiko F. Fujio. Beginning in 1980 with 'Doraemon: Nobita's Dinosaur', the series has become an annual tradition in Japanese cinema, with new installments released almost every spring. These films typically follow the titular robotic cat from the 22nd century and his young friend Nobita Nobi as they embark on extraordinary adventures across time, space, and fantastical realms, often utilizing Doraemon's ingenious gadgets from his four-dimensional pocket. While the original manga and television series focus on everyday slice-of-life scenarios, the movies expand the narrative scope, introducing higher stakes, epic journeys, and environmental or moral themes that resonate with family audiences. The series has evolved through different eras of animation and storytelling, with many early films being direct adaptations of manga storylines, while later entries explore original plots and even reimaginings of classic tales. This enduring collection has cemented Doraemon as a cornerstone of Japanese popular culture, with the films consistently drawing large audiences and contributing to the character's status as an official cultural ambassador of Japan.










































