
Doraemon: New Nobita's Great Demon - Peko and the Exploration Party of Five is a 2014 Japanese animated science fiction adventure film and the 34th installment in the long-running Doraemon movie series. The film is a remake of the 1982 classic Doraemon: Nobita and the Haunts of Evil, which itself was adapted from the Doraemon Long Stories manga series by Fujiko F. Fujio. The story follows Nobita, Doraemon, and their friends as they embark on a summer vacation adventure, which begins when Doraemon launches a rocket to photograph the Earth and they discover a mysterious new world.
The 2014 version updates the original 1982 film with modern animation techniques and a slightly revised narrative, introducing the character Peko more prominently, as reflected in the title. The film was a significant box office success in Japan, becoming the fifth highest-grossing animated film in the country for 2014. The opening theme, "Yume o Kanaete Doraemon," was performed by MAO, while the ending theme, "Hikari no Signal," was performed by the popular boy band Kis-My-Ft2.
As part of the Doraemon franchise's tradition of remaking its earlier films with contemporary animation, this movie follows in the footsteps of other remakes like Doraemon: Nobita's New Great Adventure Into the Underworld and Doraemon: The New Record of Nobita's Spaceblazer. The film stays true to the spirit of Fujiko F. Fujio's original manga while offering a fresh visual experience for a new generation of viewers.
Doraemon's Long Tales, also known as Doraemon Long Stories, is a manga series that expands upon the beloved Doraemon universe created by Fujiko F. Fujio. Unlike the regular Doraemon comics, which consist of short, self-contained episodes, this series presents full-volume, continuous narratives that send Nobita, Doraemon, and their friends on epic adventures through science fiction and fantasy landscapes. The stories were originally serialized in CoroCoro Comic magazine, with the first volume, Nobita's Dinosaur, launching the series in 1980.
The series was initially illustrated by Fujiko F. Fujio himself, who completed the first sixteen volumes before his passing in 1996. Following his death, the mantle was taken up by Shintaro Mugiwara and Yasunori Okada, who continued the tradition of crafting longer, more complex tales for the characters. These manga volumes served as the direct source material for the annual Doraemon feature films released in Japanese cinemas from 1980 through 2004, creating a unique synergy between the printed page and the silver screen.
Doraemon Long Stories holds a special place in the hearts of fans, as it allowed for deeper character development and more intricate world-building than the standard series format permitted. The stories often blend educational elements about history and science with the whimsical, gadget-driven fantasy that defines Doraemon, making them enduringly popular with both children and adults.
The Doraemon film series is a long-running collection of animated feature films based on the beloved manga and anime franchise created by Fujiko F. Fujio. Beginning in 1980 with 'Doraemon: Nobita's Dinosaur', the series has become an annual tradition in Japanese cinema, with new installments released almost every spring. These films typically follow the titular robotic cat from the 22nd century and his young friend Nobita Nobi as they embark on extraordinary adventures across time, space, and fantastical realms, often utilizing Doraemon's ingenious gadgets from his four-dimensional pocket. While the original manga and television series focus on everyday slice-of-life scenarios, the movies expand the narrative scope, introducing higher stakes, epic journeys, and environmental or moral themes that resonate with family audiences. The series has evolved through different eras of animation and storytelling, with many early films being direct adaptations of manga storylines, while later entries explore original plots and even reimaginings of classic tales. This enduring collection has cemented Doraemon as a cornerstone of Japanese popular culture, with the films consistently drawing large audiences and contributing to the character's status as an official cultural ambassador of Japan.










































