
Lupin the Third: Missed by a Dollar is a 2000 Japanese animated television special directed by Hideki Tonokatsu. It is the twelfth entry in the long-running series of annual Lupin III TV specials, which began in 1989 and feature the gentleman thief Arsène Lupin III and his gang on globe-trotting heist adventures.
The plot centers on a high-stakes auction for a single, mysterious one-dollar bill that holds the key to a vast hidden fortune. Lupin naturally sets his sights on acquiring it, but he faces stiff competition from a ruthless international criminal syndicate and a mysterious female rival. The special is notable for its international setting and a plot that intertwines classic caper elements with a race-against-time structure, forcing Lupin to rely on his wits and the reluctant help of Inspector Zenigata.
As with many of the annual specials, Missed by a Dollar features the core voice cast from the era, including Kanichi Kurita as Lupin III. The special was broadcast on Nippon Television and later released on home video, contributing to the franchise's tradition of delivering self-contained, feature-length adventures that complement the main television series and theatrical films.
Lupin the Third is a long-running Japanese media collection centered on the exploits of Arsène Lupin III, the grandson of Maurice Leblanc's gentleman thief. Created by the artist Monkey Punch in 1967 as a manga series, the property quickly evolved into a genre-defying institution spanning television anime, theatrical films, television specials, OVAs, and video games. The core appeal lies in the chemistry of its central ensemble: the irrepressible and endlessly inventive Lupin, the sharp-shooting Daisuke Jigen, the stoic swordsman Goemon Ishikawa XIII, the alluring and treacherous Fujiko Mine, and the dogged Inspector Zenigata, whose pursuit of Lupin is as much a personal obsession as a professional duty. Together, they form a dynamic that has allowed the series to explore a vast spectrum of tones, from slapstick comedy and lighthearted caper to hard-boiled noir and psychological drama.
The collection's remarkable adaptability is a key to its longevity. Hayao Miyazaki's 1979 film *The Castle of Cagliostro* presented a softer, more chivalrous version of the character, influencing animated adventure storytelling worldwide. In contrast, the 1978 film *The Mystery of Mamo* delved into psychedelic paranoia and existential themes. This narrative flexibility has been sustained across decades of annual television specials, which began in 1989 and continue to this day, offering self-contained adventures that place the characters in a variety of global settings and high-stakes scenarios. The television series itself has undergone several reinventions, with each new part—from the iconic red jacket of the second series to the more recent adventures set in Italy and France—reintroducing the gentleman thief to a new generation while maintaining the core spirit of the original manga.
The cultural significance of Lupin the Third extends beyond its home country, establishing it as a globally recognized ambassador for stylish, jazz-scored escapism. The collection has consistently balanced a sense of timeless cool with creative reinvention, allowing it to remain relevant for over half a century. In the 21st century, the property has expanded into darker, more adult-oriented territory with the *Lupin the IIIrd* film series, which pushes its animation and psychological depth to new extremes, while simultaneously delighting audiences with lighter, self-contained television specials. Across its many iterations, the collection remains a testament to the enduring appeal of a perfect character dynamic and the thrill of the chase, proving that the greatest treasure is often the adventure itself.




































